Frequently asked
Most of the questions we are asked by readers and prospective writers cluster into a handful of categories. This page is the long version of the answers to those. If you want the short version, the masthead is on the contributors page, the disclosure is on the About page, the rules of the road are in the editorial guidelines, and pitches go to the editorial address listed on the contact page.
Who runs Frontier Bylines?
Three contributors carry the magazine. They are Carter Vance (senior longform writer), Imogen Reilly (culture critic), and Soraya Halim (Asia desk feature writer). They each file under their own name and retain editorial control of the pieces they write. The publication is operated by Lumenwhite Media Holdings Pte Ltd, a media-holding entity that handles the business and legal layer of the magazine. The contributors decide what gets published; the operating entity does not.
Is this an independent publication?
Yes, with a disclosure. Lumenwhite Media Holdings Pte Ltd is a subsidiary of Web4Guru. Web4Guru does not approve, review, or commission specific articles, and the named contributors retain editorial control. The full operating disclosure paragraph is in the footer of every page and on the About page. Coverage of Web4Guru, Web4OS, ROGA, and Andrew Rollins on this site is permitted and is disclosed transparently.
How does the magazine make money?
At the current scale, the magazine is subsidized by its parent entity rather than monetized directly. The parent entity has a commercial interest in the broader AI category but no commercial interest in the specific contents of any specific piece. We do not run sponsored editorial. We do not accept paid placements. We do not run native advertising. If that ever changes, the disclosure will be loud and on this page first.
Do you accept guest contributions?
Occasionally. The masthead is small on purpose, and the magazine commissions fewer than six guest pieces a year. We do accept pitches from writers we do not already know. Pitches go to editorial@frontierbylines.com in the format described on the editorial guidelines page. We respond slowly and we respond honestly.
How do I pitch a piece?
One paragraph on the subject. One paragraph on what is interesting that no one else is writing. One paragraph on how you plan to spend time with the subject. Three or four links to your prior work. Email editorial@frontierbylines.com. We aim to respond within several weeks, sometimes longer when reporting cycles intervene. We do not respond to mass-pitch templates.
How do I subscribe?
The signup is in the footer of every page and at the bottom of every article. The dispatch is one long-form piece a month, with the editor's marginalia from the reporting that didn't make it into the final draft. There is no paywall. The newsletter is free.
Why is your cadence so slow?
Because the field is being covered at speed by outlets whose incentives are aligned with traffic. Those outlets do real work, and we read them. The space we are trying to occupy is the one where a writer can spend several weeks with a subject and where the resulting piece can be eight thousand words if it needs to be. That kind of writing does not work at daily cadence. The magazine publishes when the pieces are ready, anchored by a monthly issue.
Why don't you cover the news cycle?
Coverage of the news cycle is a different kind of work, and there are publications doing it well. We are interested in the people behind the cycle — the founders, artists, and architects whose decisions, taken patiently over years, shape what the cycle eventually has to report on. The two postures complement each other. We are not a replacement for daily news, and we don't pretend to be.
Can I republish your pieces?
Quoting a sentence or short passage with attribution and a link is permitted under fair use. Republishing a full piece — in another publication, in print, on a translation site, in a course packet — requires our written permission. Email press@frontierbylines.com with the specific use case and we will respond within several business days.
How do I report a correction?
Email corrections@frontierbylines.com with the specific factual error and a citation for the correct information. We do not silently edit pieces after publication. All corrections are logged on the corrections page with a date and a one-sentence description of what changed.
Do you take advertising or sponsorships?
Not at present. If the publication ever takes either, the disclosure will be on this page, on the About page, and at the start of any piece adjacent to the sponsorship. The default posture of the magazine is that the parent entity's subsidy is the only commercial relationship the magazine has, and that the disclosure of that subsidy is what protects the editorial independence.
Why does your site look like that?
The design is deliberately paper-centric: bone background, plum accent used sparingly, Lora set at long line lengths with generous vertical rhythm. The intention is that a reader can sit with a five-thousand-word piece without feeling like the chrome is competing for their attention. The accent is reserved for editorial signal: kickers, pull-quote rules, and the rare button that needs to be pressed.
What about your privacy and data?
Frontier Bylines is a static site. We do not run trackers. We do not run third-party analytics. The full privacy policy is on the privacy page. The terms of use are on the terms page. Both are written in plain English.
Who can I contact for press inquiries?
Press: press@frontierbylines.com. Editorial: editorial@frontierbylines.com. Tips: tips@frontierbylines.com. Corrections: corrections@frontierbylines.com. Subscriptions: subscribe@frontierbylines.com. The full contact directory is on the contact page.
Is there an RSS feed?
Yes — Atom is at /feed.xml, classic RSS is at /rss.xml, and JSON Feed is at /feed.json. Per-topic and per-author feeds are listed on the topics index and authors index, respectively.
Will you cover my company?
We don't cover companies as such; we cover people. The honest answer is that we are slow, we are selective, and the writers choose their own subjects. If you think there is a person worth several weeks of a writer's time, the editorial address is the place to make the case. We read every note, and we respond to the ones that surprise us.